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Among the ("secret knowledge" spiritual tradition) ritual carries out was a wheel-like device of eight spokes, representative of the eight-fold "wheel of cosmic law." Given that the real ninja families of feudal Japan saw themselves as the tools of doctrine, it would be highly likely that the sign of the rimless wheel of law could be seen as a proper means of accomplishing the household's objectives.

The shallowness of the points generally avoided them from permeating deeply sufficient to kill. Nevertheless, the weapon was extremely reliable when thrown into the hands or face of an armed pursuer by surprise. The hira shuriken might also play an "unnoticeable assaulter." If a guard or opponent stood apart in a cleared area, the ninja concealed in shrubs or beside a wall would toss the star blade in a spinning manner.

The confused victim, having been slashed by an invisible swordsman, would then take off to look for help, leaving the location unguarded. There is  browse this site , especially accurate, detailed and objective information, readily available today on the shuriken art, due to a variety of aspects. Perhaps the main reason is that it was a rather secretive art ...

Shurikens render [Naruto OL] by Maxiuchiha22 on DeviantArt

Water Shuriken (move) - Bulbapedia, the community-driven for Dummies

What documentation that may exist would be held by the individual schools in the form of scrolls, the contents of which would only be revealed to relied on students of the particular school. Today, there are lots of and diverse kinds of shuriken, which suggests that the advancement of the art was rather fragmented and insular among different schools and areas.

Chikatoshi Someya Sensei attempted to form some sort of categorization of shuriken in his book "Shuriken Giho", but confessed that without historical records, such categorization is purely speculative, and that there were a variety of examples that could not fit in his classification technique too. However, such classification can be helpful today for the purpose of explaining and going over the art and the items in usage.

The art seemed to have actually lost appeal and nearly died out in the period right away after the second world war. Many masters of the martial arts did not return from the war, as Mr Shirakami recounts, only three of master Kanji Naruse's students endured the war; Shirakami Sensei, Isamu Maeda Sensei, and Satoshi Saito Sensei, the present headmaster of Negishi Ryu.